Palestinian artist Shadi Habib Allah works across film, drawing, sculpture, and installation, often drawing on a process of deep research and on-the-ground physical engagement in specific locales.
Richly varied in form and focus, his recent projects run the gamut from traveling along illicit trade routes with Bedouin smugglers to documenting labor and banter between mechanics in a Miami body shop. In works like these, he homes in on economies of people, objects, and images, tracing various ways of navigating through these networks or investigating their structures. Here, the artist presents a new series of photographs alongside recent video works.
Curated by Solveig Øvstebø.
Habib Allah’s Renaissance Society exhibition is presented in conjunction with a related project at the Hammer Museum in Los Angeles, September 22, 2018–January 20, 2019.
Shadi Habib Allah was born in Jerusalem in 1977 and is currently based in New York City and Miami, FL. Recent solo exhibitions include Biscuits and Green Sox Maaike at Reena Spaulings Fine Art, New York (2016); Shadi Habib Allah: 30KG Shine at Rodeo, London (2015); and Evacuated Containers at Green Art Gallery, Dubai (2013). His work has been included in the 13th Berwick Film and Media Arts Festival, UK (2017); Tamawuj, Sharjah Biennial, UAE (2017); House of Commons at Portikus, Frankfurt am Main, Germany (2016); and Surround Audience, New Museum Triennial, New York (2015). Habib Allah received a BFA from Bezalel Academy of Arts and Design in 2003 and an MFA from Columbia University in 2010. He undertook a residency at the Delfina Foundation in London in 2016 and received the Louis Comfort Tiffany Award in 2011.