Out of print
1983, softcover, 10 pp., 22 b/w illustrations
This slim black and white catalogue gives an overview of Knight’s practice from the late sixties to the present. It includes an in-depth essay by art historian Anne Rorimer, one of the nation’s foremost authorities on Conceptual art. Her investigation of Museotypes, the particular piece conceived for Knight’s Renaissance Society exhibition, points to its specific implications while her consideration of related earlier pieces further demonstrates the character and development of his work in general.