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Notes

Plane/Structures: Works in Exhibition

1994

Fandra Chang, Bit Fall, 1994, silkscreen ink on screen, paper, fabric, and plywood, 31.25 x 33 x 2.5, Courtesy of the artist.

Fandra Chang, Limited Palette #4, 1993, Transparent ink on museum board, silkscreen fabric, plywood and pine, 23 1/2 x 23 1/2 x 2 1/2 inches, Courtesy of the artist.

Mary Corse, Black Lightning Painting (Arch Series), 1992, Glass microspheres and acrylic on canvas, 96 x 96 inches, Courtesy of the artist and Ace Contemporary Exhibitions, Los Angeles.

Caren Furbeyre, Crystal Eyes, 1992, Oil, water, acrylic and glass, 68 x 11 1/2 x 11 1/2 inches, Courtesy of the artist and Mark Moore Gallery, Santa Monica.

Jeremy Gilbert-Rolfe, Opening, 1993, Oil and vinyl linen with pushpins, 77 x 22 inches, Courtesy of the artist and Shoshana Wayne Gallery, Santa Monica.

Jeremy Gilbert-Rolfe, Two Movements, 1994, Oil on linen with pushpins, 88 x 32 inches, Courtesy of the artist and Shoshana Wayne Gallery, Santa Monica.

James Hayward, Ad O.D. (Nocturnal Version), 1991, Oil and wax on canvas, 85 x 70 inches overall, each panel 21 x 16 inches, Courtesy of the artist.

Maxwell Hendler, Inordinate Orange, 1993, Resin on pine, 27 x 37 inches, Courtesy of the artist and AsherFaure Gallery, Los Angeles.

Maxwell Hendler, Film Noir, 1994, Resin on pine, 31 x 51 inches, Courtesy of the artist and AsherFaure Gallery, Los Angeles.

Scott Heywood, Untitled #64, 1992, Oil and wax on canvas, 65 x 65 inches, Courtesy of the artist and Ace Contemporary Exhibitions, Los Angeles.

Linda Hudson, Corridor, 1994, Plexiglas, aluminum, photographs by Fredrik Nilsen and binding, 12 x 14 inches, Courtesy of the artist and Thomas Solomon’s Garage, Los Angeles.

Liz Larner, Wrapped Corner, 1991, Steel chain and hardware, 49 x 90 inches, Courtesy of the artist and 303 Gallery, New York, and Regen Projects, Los Angeles.

John M. Miller, 94H, 1991, Magna on canvas, 62 3/4 x 80, single division, Courtesy of the artist.

John M. Miller, 97H, 1991, Magna on canvas, 62 3/4 x 80, single division, Courtesy of the artist.

James Richards, No Title, 1994, Acrylic on nylon string and twine, 36 x 60 inches, Courtesy of the artist and Food House, Santa Monica.

James Richards, No Title, 1994, Acrylic on nylon string, 48 x 48 inches, Courtesy of the artist and Food House, Santa Monica.

Roy Thurston, *92-11 1992, Laquer on fiberglass epoxy skin/aluminum honeycomb core panels, 30 1/4 x 32 1/4 x 3/4 each panel, Courtesy of the artist and Thomas Solomon’s Garage, Los Angeles.

Roy Thurston, 94-2, 1994, Laquer on fiberglass epoxy skin/aluminum honeycomb core panels, 30 1/4 x 32 1/4 x 3/4 each panel, Courtesy of the artist and Thomas Solomon’s Garage, Los Angeles.

Carolee Toon, Blue Pocket, Reserve Blues, 1994, Oil and enamel on wood, 3 parts: 12 x 12 x 2 3/4; 15 3/4 x 15 3/4 x 1/2; 15 x 15 x 1/2, Courtesy of the artist.

Alan Wayne, #25, 1992, Oil on canvas, 44 x 82 1/2 inches, Courtesy of the artist and Newspace Gallery, Los Angeles.

Jonathan White, B flat, 1991, Glass, resonator, canvas, rabbit skin glue, and wood, 40 x 34 3/4 x 8 inches, Courtesy of the artist and Angeles Gallery, Santa Monica.

Jonathan White, E’, 1991, Glass, resonator, canvas, rabbit skin glue, and wood, 35 x 30 1/2 x 7 1/4 inches, Courtesy of the artist and Angeles Gallery, Santa Monica.

Pae White, The Inconsolable Wailing of the Damned, 1994, Plexiglass and solvent, 2 x 96 x 48 inches, Courtesy of the artist and Shoshana Wayne Gallery, Santa Monica.

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