Passing Through the Opposite of What It Approaches, Chapter 25: Works in Exhibition

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer), 2012, paraloid, tempera, silkscreen ink, gesso on wood, 24 3/4 x 40 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Playback of a Daydream), 2012, back: tempera and gesso on wood; front: oil, tempera, silkscreen ink, gesso on wood; wood shelf, back: 52 3/8 x 32 3/8 inches; front: 20 x 32 3/8 inches.

R. H. Quaytman, Passing Through The Opposite of What It Approaches, Chapter 25, 2012, acrylic, silkscreen ink, gesso on wood, 12 3/8 x 20 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Everybody needs at least one window), 2012, top: silkscreen ink, gesso on wood; bottom: tempera, gesso on wood, top: 20 x 20 inches; bottom: 20 x 20 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Imprints of a no.50 brush repeated at regular intervals of 30 cm), 2012, gesso on wood, 52 3/8 x 32 3/8 inches.

R. H. Quaytman , Passing Through the Opposite of What It Approaches, Chapter 25, 2012, tempera, silkscreen ink, gesso on wood, 40 x 24 3/4 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Genzken’s skull), 2012, front: wax, tempera, gesso on wood; back: gessoed panel, front: 12 3/8 x 12 3/8 inches; back: 12 3/8 x 203/8 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012, tempera, gesso on wood, 37 1/16 x 60 inches.

R. H. Quaytman, Passing Through The Opposite of What It Approaches, Chapter 25, 2012, silkscreen ink, gesso on wood, 40 x 24 3/4 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (after John Vinci’s slide of Mies’ St. Savior), 2012, silkscreen ink, gesso on wood; wood shelf, 32 3/8 x 32 3/8 inches; front: 20 x 12 3/8 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25, 2012, acrylic, tempera, gesso on wood, 32 3/8 x 52 3/8 inches.

R. H. Quaytman, Passing Through The Opposite of What It Approaches, Chapter 25, 2012, oil, tempera, gesso on wood, 60 x 37 1/16 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (From archival photograph of Toroni exhibition at The Renaissance Society), 2012, oil, tempera, silkscreen ink, gesso on wood, 37 1/16 x 60 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Hamza’s shelves), 2012, wax, silkscreen ink, gesso on wood, 52 3/8 x 32 3/8 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Susanne’s bracelet), 2012, casein, gesso on wood, 12 3/8 x 12 3/8 inches

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Public Space/Two Audiences), 2012, oil, silver leaf, tempera, gesso on wood, in wood box with mirror, 20 x 20 inches; box: 21 x 311/2 x 7 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Susanne Ghez), 2012, tempera, silkscreen ink, gesso on wood, 20 x 32 3/8 inches.

R. H. Quaytman , Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer), 2012, oil, tempera, gesso on wood, 20 x 20 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Hamza’s shelves), 2012, diamond dust, oil, silkscreen ink, gesso on wood, 24 3/4 x 40 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (after John Vinci’s slide of Mies’ St. Savior), 2012, silkscreen ink, gesso on wood, 20 x 12 3/8 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (after John Vinci’s slide of Mies’ St. Savior), 2012, silver foil, silkscreen ink, gesso on wood, 32 3/8 x 32 3/8 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (After James Coleman’s slide piece), 2012, back: oil, tempera, silkscreen ink, gesso on wood; front: silver foil, tempera, silkscreen ink, gesso on wood; wood shelf, back: 37 1/16 x 60 inches; front: 12 3/8 x 20 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Susanne Ghez), 2012, back: tempera, gesso on wood; middle: tempera, silkscreen ink, gesso on wood; front: silver leaf, silkscreen ink, gesso on wood; wooden shelf, back: 32 3/8 x 52 3/8 inches; middle: 20 x 32 3/8 inches; front: 12 3/8 x 12 3/8 inches.

R. H. Quaytman, Passing Through the Opposite of What It Approaches, Chapter 25 (After James Coleman’s slide piece), 2012, diamond dust, gesso on wood, 32 3/8 x 20 inches.

R. H. Quaytman, Passing Through The Opposite of What It Approaches, Chapter 25, 2012, oil, tempera, gesso on wood, 52 3/8 x 32 3/8 inches.

R. H. Quaytman, Passing Through The Opposite of What It Approaches, Chapter 25, 2012, tempera, gesso on wood, 52 3/8 x 32 3/8 inches.