Hirsch Perlman, Vestibule, 1988.
Hirsch Perlman, Vestibule, 1988.
Hirsch Perlman, Vestibule, 1988.
Hirsch Perlman, Untitled (Armory), 1988.
Hirsch Perlman, House for Weissenhofsiedlung, 1927.
Hirsch Perlman, Stonborough Wittgenstein House, 1928.
Hirsch Perlman, Door from exhibition space to vestibule with balcony above, 1988.
Hirsch Perlman, Installation View, 1988.
Hirsch Perlman, Installation View, 1988.
Hirsch Perlman, Detail of shifted wall showing exposed styrofoam core, 1988.
Hirsch Perlman, Detail of Edge of Text Panels, 1988.
Hirsch Perlman, Installation View, 1988.
Hirsch Perlman, Installation View, 1988.
Hirsch Perlman, Detail of cast iron door lever, 1988.
For this exhibition, Perlman will physically alter The Renaissance Society’s space by designing and installing walls, moldings, doors and door latches. These architectural necessities and foils will address the unique physical characteristics of the Renaissance Society space. Less directly, they will refer to notions of geometric regularity and rigidity, our human interaction with architectural structures, and the issues of clarity, representation, and design which are contained and questioned in the artist’s photographs.
