A. Millot, Pomme de Terres Potagères, revue horticole, 16 January 1918, no. 1.
A. Millot, Pomme de Terres Potagères, revue horticole, 16 January 1918, no. 1.
Originating in extensive research and culminating in material sculptures or installations, Ximena Garrido-Lecca’s work foregrounds indigenous knowledge systems and artisanal traditions along with modern technological infrastructures. Often grounded in the specific histories of Peru, where she was born, her body of work also tracks how extractive industry and related economic paradigms have taken on increasingly global dimensions.
For a new large-scale project at the Renaissance Society, Germinations, Garrido-Lecca continues her research into plants originally domesticated by Andean and Mesoamerican cultures and their subsequent global dissemination. Taking center stage here is Solanum tuberosum, a tuber known in many places as the potato. Domesticated more than 8,000 years ago in the Altiplano region, the potato has been a pillar in the lives of Andean communities, where it is grown as a source of sustenance and attributed symbolic and spiritual value. Today, more than 4,000 potato varieties have been adapted to different altitudes and climatic conditions around the world.
In Chicago, Garrido-Lecca unveils an installation inspired by Andean cosmovision, the planting and harvesting of potatoes as ritual events, and a unit of measurement known as the papacancha, which unites space, time, and climate. Throughout its various elements, Germinations draws on the Andean concept of Pacha, a word with diverse interrelated meanings, which evokes, among other things, a cyclical and simultaneous dimension in which past, present, and future occur.
Curated by Karsten Lund.
XIMENA GARRIDO-LECCA (b. Lima, 1980) lives and works between Mexico City and Lima. Recent solo exhibitions include Reverse Engineering at CAN Centre d’art Neuchâtel, Switzerland (2023), and Inflorescence at Portikus, Frankfurt (2022). Her works have also been featured in major international exhibitions such as the 2025 Sharjah Biennial; the 5th Kochi-Muziris Biennale, India, and the 34th Bienal de São Paulo, and are included in public collections such as Tate Modern, London; Boros Collection, Berlin, Germany; Kadist Foundation, Paris/ San Francisco; The Staatsgalerie, Stuttgart; the Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina; and Museo de Arte de Lima, among others.
Ximena Garrido-Lecca: Germinations is supported by the Marshall B. Front Family Charitable Foundation, Marshall B. Front and Laura De Ferrari Front.
