Art of Texas: Works in Exhibition

John Alexander, Double Dicks at Sunrise, 1977, Oil and pencil on paper, 44 x 84 inches.

John Alexander, Fairyland for Fascist Fools, 1977, Oil and pencil on paper, 44 x 84 inches.

John Alexander, Troop Movement, 1977, Oil and pencil on paper, 44 x 64 inches.

Ed Blackburn, Painted magazine image—Castro, 1977, Acrylic on unstretched canvas, 76 x 84 inches.

Ed Blackburn, Painted magazine Rodeo Rider, 1977, Acrylic on unstretched canvas, 9 x 13 feet.

Bob Camblin, Baton Rouge Log (The Red Stick Log), 1976, Watercolor on paper, 9 pieces, 23 x 29 inches each.

Vernon Fisher, Annette, 1977, Pencil on paper, 21 7/8 x 27 inches.

Vernon Fisher, Looking for Judd, 1976, Liquitex on laminated paper, 94 x 95 inches.

Vernon Fisher, Snake Sign, 1976, Pencil on paper, 41.25 x 27.5 inches.

Rita Gardner, Rangerette Piece, Video tape.

George Green, Cockroach Graffiti, 1976, Colored pencil on paper, 17 x 14 inches.

George Green, Dedicated to Motels, 1976, Acrylic paint and colored pencil on paper, 30 x 40 inches.

George Green, Urinal for Reptiles, 1970, Wood and linoleum, 66 x 24 inches.

Sam Gummelt, New Jacksboro Series, I 1975, Pastel and graphite on paper, 31 x 26.75 inches.

Sam Gummelt, New Jacksboro Series II, 1975, Pastel and graphite on paper, 31 x 26.75 inches.

Sam Gummelt, New Jacksboro Series IV, 1975, Pastel and graphite on paper, 30 x 26 inches.

Sam Gummelt, New Jacksboro Series V, 1975, Pastel and graphite on paper, 30 x 26 inches.

James Hill, April Gorilla Day, 1977, Mixed media drawing.

James Hill, Death-Life Chicago, 1977, Mixed media drawing.

James Hill, Dancing, 1978, Installation: wood, canvas, steel, and paint.

James Hill, Gorilla Silence, 1977, Installation: wood, canvas, granite, and paint.

Luis Jimenez, American Dream, 1969, Fiberglas and acrylic lacquer.

Luis Jimenez, Bull Rider, 1977, Colored pencil on paper, 27.5 x 39.5 inches.

Luis Jimenez, Country and Western Dancers, 1977, Colored pencil on paper, 27.5 x 39.5 inches.

Luis Jimenez, De Texas, 197, Colored pencil on paper, 27.5 x 39.5 inches.

Luis Jimenez, Wool Growers Association, 1977, Colored pencil on paper, 27.5 x 39.5 inches.

David McManaway, Baker’s Dozen, 1975, Mixed media of assembled objects, 13 wooden boxes, 16.5 x 12.5 each.

Jim Malone, Untitled (Bedroom with Palm Tree), 1977, Colored pencil on paper, 20 x 30 inches.

Jim Malone, Untitled, 1977, Colored pencil on paper, 20 x 30 inches.

Philip Renteria, Untitled (8-20-76), 1976, Ink and acrylic paint on paper, 30 x 40 inches.

Philip Renteria, Untitled (9-23-76), 1976, Ink and acrylic paint on paper, 30 x 40 inches.

Philip Renteria, Untitled (11-11-76), 1976, Ink and acrylic paint on paper, 30 x 40 inches.

Philip Renteria, Untitled (1-29-77), 1977, Ink and acrylic paint on paper, 30 x 40 inches.

Larry Scholder, Calamities Portfolio, 1976, Photoetching, 6 works, 13.5 x 13.5 inches each.

Earl Staley, Mermaid, 1976, Acrylic on canvas, 48.75 x 84.5 inches.

Earl Staley, Two Houses, 1977, Watercolor on paper, 10.25 x 14.13 inches.

Earl Staley, Walls in Oaxaca, 1977, Watercolor on paper, 12 x 16 inches.

James Surls, Cactus Flower, 1978, Wood and steel, 17 x 7 x 7 feet, Courtesy of Outdoor exhibition on U of C Quadrangle through Summer 1978.

James Surls, Dancing Man, 1978, Oak and pine, 6 x 10 feet.

James Surls, Matches, 1977, Pencil on paper, 52 x 72 inches.

James Surls, Stick Dance for Red Bird, 1977, Pencil on paper, 52 x 72 inches.

James Surls, Tornado, 1978, Sweet gum, oak and pine, 8 x 5 feet.

Jesse Trevino, Camaradas del Barrio, 1976, Acrylic on canvas, 36 x 48 inches.

Dick Wray, Untitled, 1978, Oil on canvas.

Dick Wray, Untitled, 1978, Oil on canvas.

Dick Wray, Untitled, 1978, Pencil on paper.