Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
Stephen Prina, Monochrome Painting, Installation View, 333 Gallery, 1989.
This installation continues Stephen Prina’s interest in exposing and analysing the underlying physical and financial structures which support the public display of art. Prina’s projects are not critical but inquisitive investigations, intended to be relevatory in ways other than—and in addition to—the traditional canons of fine art.
