Thomas Struth, Crosby Street, New York, 1978.
Thomas Struth, Crosby Street, New York, 1978.
Thomas Struth, Photographs, Installation View, 1990.
Thomas Struth, Charleroi, Belgium, 1980.
Thomas Struth, Via del Parco Margherita, Naples, 1988.
Thomas Struth, Gotanda (Salem Lights), Tokyo, 1986.
Thomas Struth, Shinju-ku, Tokyo, 1986.
Thomas Struth, Via Medina, Naples, 1988.
Thomas Struth, Veddeler Brückenstrasse, Hamburg, 1986.
Thomas Struth, Crosby Street, New York, 1978.
Thomas Struth, Gereonswall, Cologne, 1980.
Thomas Struth, Hörder Brückenstrasse, Dortmund, 1985.
Thomas Struth, Dieselstrasse, Duisburg, 1985.
Thomas Struth, Avenue du Devin du Village, Geneva, 1989.
Thomas Struth, Corso Vittorio Emanuele, Naples, 1989.
Thomas Struth, Via Giovanni Tappia, Naples, 1989.
Thomas Struth, Campo dei Fiori, Rome, 1984.
Thomas Struth, Viale Eritrea, Rome, 1988.
Thomas Struth, Rue Saint Antoine, Paris, 1979.
Thomas Struth, Shinju-ku, Tokyo, 1986.
Thomas Struth, Photographs, Installation View, 1990.
Thomas Struth, Photographs, Installation View, 1990.
Thomas Struth, Photographs, Installation View, 1990.
This is the first one-person United States museum exhibition of this German photographer. Struth’s anonymous images of urban environments contrast, for example: the stark and obliterating scale of New York with the intimate closure and ambience of Rome. In all of Struth’s images the continuing perseverance of the individual is maintained and heightened through the subtle cultural clues of each image’s architecture and signage.
