Image credit: Shahryar Nashat
Image credit: Shahryar Nashat
Puppies Puppies (Jade Guanaro Kuriki-Olivo) Komorebi, 2022 and Untitled (Beginning), 2022, installation view, 2023. Photo: Robert Chase Heishman.
Installation view, 2023, Photo: Robert Chase Heishman.
Installation view, 2023, Photo: Robert Chase Heishman.
Larry Clark, Brian, 15 year old raped by mop handle, 1992 and Karen Kilimnik, Swampy’s friend, the blond, living in the woods, eco warriors camp, 2009, installation view, 2023, Photo: Robert Chase Heishman.
Installation view, 2023, Photo: Robert Chase Heishman.
Shahryar Nashat, Untitled, 2023, installation view, 2023, Photo: Robert Chase Heishman.
Installation view, 2023, Photo: Robert Chase Heishman.
Maria (@muzamoves), 2023, Photo: Robert Chase Heishman.
Zeal (@zealouspole), 2023, Photo: Robert Chase Heishman.
Marie Laurencin, Head of a Young Woman, 1926, Puppies Puppies (Jade Guanaro Kuriki-Olivo), Untitled (Beginning), 2022, installation view, 2023, Photo: Robert Chase Heishman.
Larry Johnson, Untitled (How to Draw Chelsea Manning), 2022, installation view, 2023, Photo: Robert Chase Heishman.
Larry Johnson, Untitled (How to Draw Chelsea Manning), 2022, installation view, 2023, Photo: Robert Chase Heishman.
Explore.org’s Kitten Rescue Cam and Sleeping Pig’s livestream (寝豚ちゃん), installation view, 2023, Photo: Robert Chase Heishman.
@halal.before.haram Instagram feed, installation view, 2023, Photo: Robert Chase Heishman.
Installation view, 2023, Photo: Robert Chase Heishman.
Divine Em (@poledemon) and Marie Laurencin, Head of a Young Woman, 1926, installation view, 2023, Photo: Shahryar Nashat and Robert Chase Heishman.
Opening Reception May 13, 4–7PM
We met for lunch to continue our conversation, soon noticing the celebrity, incognito, taking a meeting nearby, and such serendipity prompted a reaction: Use this strange presence as a device to work through the current moment in relation to how bodies, whether living currency or undead, circulate, distort, unalive, and, yet, love.
— Bruce Hainley
This project is made possible with the support of the Swiss Arts Council Pro Helvetia.
Major annual support for the Renaissance Society is provided by 247 and The Andy Warhol Foundation for the Visual Arts.
Additional support is provided by The MacArthur Fund for Culture, Equity, and the Arts at Prince and The Provost’s Discretionary Fund at the University of Chicago. This program is partially supported by a grant from the Illinois Arts Council Agency.
All Renaissance Society publications are made possible by The Mansueto Foundation Publications Program.
