R
Sep 14–Nov 10, 2024

Neïl BeloufaHumanities

Neïl Beloufa, imagery generated from Humanities, 2024.

  • Neïl Beloufa, imagery generated from Humanities, 2024.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Growth (detail), 2024. Photo by Bob.

  • Neïl Beloufa, Growth (detail), 2024. Photo by Bob.

  • Neïl Beloufa, Growth (detail), 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Humanities, installation view, 2024. Photo by Bob.

  • Neïl Beloufa, Global Agreement (detail), 2024. Photo by Bob.

  • Neïl Beloufa, Global Agreement (detail), 2024. Photo by Bob.

  • Neïl Beloufa, Counting Contest, ongoing. Photo by Bob.

  • Neïl Beloufa, Small flowers A, 2021. Photo by Bob.

  • Neïl Beloufa is an artist whose polymorphous practice spans film, sculpture, installations, as well as social and collective experiments. In a constant flirtation with failure, his work insistently interrogates the art field–its institutions and formats, its capacities and limitations–while also now exploring the digital world and the novel forms of community that coalesce there. For this exhibition, Beloufa considers the power of individual storytelling in building large-scale propaganda through Growth (2024) a newly commissioned installation. While riffing on the gamification of society and the trend of immersive art experiences, Growth is an interactive multimedia system that guides each visitor through the process of becoming the center of their own success story, creating a company, a cult, or a political party and thus highlighting the incongruous likeness between those. The new commission is presented in conjunction with Beloufa’s existing piece Global Agreement (2018) which examines modern warfare discourse through the vantage point of its direct personnel since Beloufa conducted lengthy interviews with soldiers stationed around the world, extracting from their testimonies a characterization of war that resists accounts from Hollywood or the army itself. The two pieces merge in a dialogue (or cacophony) which uncannily reflects our current moment’s tension between extreme individualism and global discord.

    Curated by Myriam Ben Salah.

    HUMANITIES is presented in conjunction with a related project at Kunsthalle Basel in Switzerland, October 4, 2024–January 19, 2025.

    Neïl Beloufa (b. 1985, Paris, France) studied at École Nationale Supérieure des Beaux- Arts and at École Nationale Supérieure des Arts Décoratifs, Paris; California Institute of the Arts, Valencia, USA; Cooper Union, New York; and Le Fresnoy National Contemporary Arts Studio, Tourcoing, France. He has exhibited in numerous solo exhibitions worldwide, including at Secession, Vienna; Pirelli Hangar Bicocca, Milan; Palais de Tokyo, Paris; Schirn Künsthalle, Frankfurt; Pejman Foundation, Tehran; the Museum of Modern Art, New York; Schinkel Pavilion, Berlin; and Hammer Museum, Los Angeles. He participated in the Venice Biennale in 2013 and 2019, the Shanghai Biennale and Taipei Biennale in 2014, and the Lyon Biennale of Contemporary Art in 2013. His work is included in the collections of the Museum of Modern Art, New York; François Pinault Collection; Centre Pompidou, Paris; Walker Art Center, Minneapolis; and the Stoschek Collection, Düsseldorf, among others. He lives and works in Paris.

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