R
May 15–Jun 26, 2011

William J. O'Brien

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    • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2008.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2008.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Installation View, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2010.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2011.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2010.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2009.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2009.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2009.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2009.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Aloysius, 2010.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2008.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2008.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2008.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2010.

  • A small blue ceramic sculpture of a head, eyes poked out, tiny holes for nostrils, with splotches of deep red and green paint

    William J. O’Brien, Untitled, 2011.

    • Chicago artist William J. O’Brien (b.1975) works in multiple mediums, including ceramic, textiles, wood, and metal, along with works on paper. His corpus reflects a playful attention to the expected properties of each material, and a subsequent subversion of their ordinary uses. This will be his first museum solo exhibition, and will include approximately 100 ceramic works, many of them never before exhibited.

    O’Brien’s increasingly inventive sculpture work displays a messy exuberance that is, on one hand, distinctly anti-Minimalist in its sensibility. On the other hand, his work resists the sentimentality in the recent revival of “the handmade”, even while using materials, like ceramic or yarn, that are almost synonymous with old notions of craft. While no material appears to be off limits for O’Brien, an important uniting tie is a certain attitude toward the role of the pedestal — the pedestal is not a vehicle for display, but is integral to each work.
    THE RENAISSANCE SOCIETY
    at the University of Chicago
    5811 South Ellis Avenue
    Cobb Hall, 4th Floor
    Chicago, Illinois 60637

    773 702 8670

    Free and open to the public

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