R
May 2–Jun 27, 2010

The Seductiveness of the Interval

  • Intro
  • Images
  • Related Publishing
  • Related Events
    • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Stefan Constantinescu, Troileibuzul 92, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Ciprian Muresan, Dog Luv (After a screenplay by Saviana Stanescu), 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Stefan Constantinescu, Passagen, 2005.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    Andrea Faciu, EXUBERENTIA suspended, 2009.

  • A small garden rests on top of a passageway, just below the grid, between rooms in the gallery; some rooms have no roofs

    The Seductiveness of the Interval, Installation View, 2010.

  • Stefan Constantinescu,
  • Andrea Faciu,
  • Ciprian Muresan,
  • studio BASAR

    • The Renaissance Society presents The Seductiveness of the Interval, a project curated by Alina Serban, and originally presented at the Romanian Pavilion of the 2009 Venice Biennale. The work of three Romanian artists—Stefan Constantinescu, Andrea Faciu and Ciprian Muresan—is exhibited in a two-story architectural structure designed by studio BASAR specifically for that purpose. Together, the artists explore themes of exile, the human capacity for cruelty, and hope. Although the artists’ works are distinct in terms of form and content, they are united by a structure conceived as a stage set where the viewer is invited to reflect on the individual works and the viewing experience itself.

    Co-organized with the Romanian Cultural Institute
    THE RENAISSANCE SOCIETY
    at the University of Chicago
    5811 South Ellis Avenue
    Cobb Hall, 4th Floor
    Chicago, Illinois 60637

    773 702 8670

    Free and open to the public

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